A. Bruce Cornwell - obituary

Centrespread illustration by Bruce Cornwell
Spaceship Away, No. 12, Summer 2007 

Sadly we have heard of the death, on 2nd March 2012, of one of the original artists who worked on the 'Dan Dare' strip, Bruce Cornwell.

Though born in Canada, A. Bruce Cornwell was raised as a child in California, USA, before coming to Europe to study art at Regent Street Polytechnic in London and the Académie Julian in Paris. During the Second World War he served in the British Merchant Navy. After the war he became a maritime artist and freelance illustrator, before joining the staff of Eagle in early 1950.

In an article written for Eagle Times in 1998 Bruce told how he came to work on Eagle, after answering an advertisement in a trade paper, presumably in late 1949. Although used to working solo, he then found himself as part of a team working on 'Dan Dare' with Frank Hampson and the rest of the studio team in the lean-to shed and former bakery which was the original studio in Southport. His main contribution to 'Dan Dare' was not so much on figure work, though he could do that if needed, but specialising in technical subjects: buildings, machinery, spaceships: "All the work stemmed from Frank's superb roughs and my reason for being there was to take over most of the drawing of machinery."

After objecting to the excessive working hours, Bruce left the studio some time during Dan Dare's first adventure (which, incidentally, ran for about a year and a half). Later,  after the team's move to the new studio in Epsom, Bruce returned under the promise that the work schedule would be less demanding. It wasn't, and after he was refused leave when the work began affecting his health, he left again.

In 1960, after Hampson's team had been broken up, he returned to work with Don Harley on four 'Dan Dare' stories, staying for two years until 1962, when Keith Watson took over.

In addition to 'Dan Dare', Bruce's contributions to Eagle included 'Ships Through the Ages', (some) 'Tommy Walls', and four cutaway drawings, all of nautical subjects. He contributed many of the illustrations, including a number of cutaway drawing designs, to Dan Dare's Spacebook (1953) and Dan Dare's Space Annual 1963. In addition to his work for Eagle he also drew 'Sammy In Space' (with Desmond Walduck) in Swift, 'Space Captain Jim Stalwart' in Junior Mirror, 'Danny Dare' (with Leo Baxendale) in Wham! and 'Journey into Space' (following Ferdinando Tacconi) in Express Weekly. The scope of his commercial art included book covers and line illustrations, the best known being those he did for the Kemlo and Tas children's science fiction series by E.C. Eliott. 

By 1998, when he wrote for Eagle Times, he was "still working" but had retired from commercial work projects, dividing his time between painting and exhibiting, assisting his wife with her business and indulging his favourite hobby: maintaining and running a number of classic cars. Bruce was one of the Eagle Society's special guests at the Grail Centre, Pinner for our 13th Annual Dinner in 1999. More recently he had been persuaded to contribute a number of 'Dan Dare' themed painted illustrations to Spaceship Away, including the one shown above.

The news of Bruce's death arrived with us after the Spring 2012 issue of Eagle Times went to press. The issue includes an article by Jeremy Briggs on Bruce's cutaway drawings. We will be including an obituary in our Summer issue.

Eagle Artists - Robert Ayton

Robert Norton Ayton (1915-1985) was born in Bowes Park, in the London borough of Wood Green. He was the second of four brothers. In 1919 the Aytons moved to Wembley, where Robert attended Park Lane Primary School. As a boy, as well as showing an early interest and capability in art, he loved speed and designed and built model aeroplanes. His nephew Rupert (son of Robert’s younger brother William) later cherished a 12" example of one of Robert’s hand-carved propellers.

In 1928, following the sudden death of his father, the almost 13-year-old Robert was offered an apprenticeship with Adkin and Sons, a branch of the Imperial Tobacco Company. Robert's father and grandfather had both been loyal and successful servants to Adkin. Robert however declined the invitation, and from about 1930 he attended the Harrow School of Art. He may have taken additional courses with the Central School of Art and Design and/or Hammersmith School of Art.

After his formal art training, Robert worked for several advertising agencies, including (possibly) Dorland's, before becoming a freelance artist. In the late 1930s he had an account with Castrol and around this time also undertook substantial commissions from Rolls Royce. His various commissions included aeroplanes and fast cars, including Malcolm (later Sir Malcolm) Campbell’s Bluebird.

In 1939 Robert met Joan Elmes, who would later become his wife. They saw little of each other during the next few years because Robert was called to Army service in the Second World War, but they were married during leave, in 1942.

After the war, in 1945 Robert picked up his freelance artist’s career. He became friends with Norman Williams who, from 1950, would illustrate many of Eagle’s true life adventures. Through Norman Williams, in 1955 Robert was recruited by Marcus Morris to illustrate a new adventure strip set in the times of the Napoleonic Wars. The strip, written by George Beardmore was ‘Jack o’Lantern’. It quickly became one of the most popular strip stories in Eagle, as recorded by the Hulton readers poll at the time.

Soon after starting on ‘Jack o’Lantern’, Robert and Joan moved to Yeovil, Somerset, and over the next five years Robert would draw nearly 250 weekly full-colour episodes. His strips had an air of authenticity aided by painstaking research of his subject matter from uniforms and fashion to the settings for the stories. Joan recalled, when interviewed in 1997, that she and Robert tramped around the village of Bosham taking photographs when Robert was researching the location for the ‘Jack o’Lantern’ story ‘The Moonshiners’.

In 1957, when his friend Norman Williams died, Robert took the news hard but, called on the draw the final episode of ‘The Great Sailor’ (the story of Nelson), he did so, although his artwork was not credited. After he left in 1959 to take a break from weekly deadlines, ‘Jack o’Lantern’ continued, drawn by another artist (C. L. Doughty), but only for another 36 episodes.

After what was to be a two year break from comic strip work, he took on drawing half page illustrations for Girl, and other art work. Then Robert returned to Eagle in 1961 to draw ‘The Golden Man’, the story of Sir Walter Raleigh, in a strip scripted by Guy Daniel and Marcus Morris. It was his final work for Eagle.

Like quite a few former Eagle artists (including Frank Hampson, Frank Humphris and Martin Aitchison) Robert later worked for Ladybird Books, illustrating for them around 50 books on a variety of subjects, from fairy tales to technology. Often he would put himself into his drawings - for example as the Slave of the Lamp in ‘Aladdin’. He taught illustration part-time at the West of England College of Art. He also illustrated for Oxford University Press, drew television background illustrations for BBC Bristol, and from 1980 was a member of the artistic group known as the Bristol Savages. At that time he lived in a large farmhouse outside Backwell, Bristol.

In 1983 Robert and Joan moved to a smaller home, a glass-workers row house, at nearby Nailsea. It was there, two years later and aged 70, that Robert died in Joan's arms after suffering a massive heart attack. He and Joan never had children. As Joan put it, when interviewed for Eagle Times: “There are enough delinquents in the world without bringing more into it.”

Eagle Strips:

• Jack o’Lantern (Vol 6 No 4 - Vol 10 No 40)
• The Great Sailor - final episode, uncredited (Vol 8 No 11)
• The Golden Man (Vol 12 Nos 15 - 37)

Eagle Annual Strips:

• Jack o’Lantern Eagle Annual No 6 - No 11 [1962]

Links:

• Bibliography at Bear Alley

ET Refs:

• Howard Corn. Robert Ayton. Eagle Times Vol 10 No 3 pp 2 - 6 *

* Thanks to Rupert Ayton for corrections and additional information about his uncle Robert

Update (1 Apr 2014) - Thanks to Andoni for correcting info re Jack o'Lantern (which previously stated Robert Ayton's run on the strip ended with issue Vol 10 No 45). As Andoni has pointed out, C.L. Doughty took over from issue Vol 10 No 41. C.L. Doughty therefore drew 36, rather than the previously stated 31 episodes, and I've amended that info also.     

John Ryan (1921 - 2009)

John Christopher Gerald Ryan was born in Edinburgh on 21 March, 1921. His father being in the diplomatic service, he spent some of his early life abroad, but he received his education at Ampleforth College, Yorkshire. It was there he first gained an interest in cartooning (writing and drawing for the school magazine was offered as an alternative to a thrashing for a minor offence!)

During the second World War he served with the Lincolnshire Regiment, mainly in Burma, and when not otherwise occupied he sketched and drew caricatures, which were published in army magazines. After the war, he attended art classes in London at the Regent Street Polytechnic, following which, he joined Harrow School as Assistant Art Master. He had met his future wife Priscilla while at the Regent Street Polytechnic, and in 1950 they married. As a wedding present, a friend introduced them to Marcus Morris, then priest and editor of Anvil.

John produced some illustrations for Anvil, and was challenged by Morris to create a humorous strip for a new children's magazine, which would be Eagle. The result was 'Captain Pugwash', "the story of a bad buccaneer & of the many sticky ends which nearly befell him". The black and white strip appeared on the lower half of page 5 of the first issue of Eagle. Although later destined to become successful as an animated television series and a series of books, Captain Pugwash's life in Eagle was short. Deemed too young for the Eagle's target audience, Pugwash sailed away after his 19-episode first adventure. But John Ryan was a talent too good to waste, and Marcus Morris had already asked him to create a new strip, which he did - based on a skit of Priscilla's "ideal man". 'Harris Tweed' began in issue 15 of Eagle and ended, after twelve years of weekly episodes, in 1962. Along the way, John also created, wrote and drew successful strips for Eagle's companion papers, Girl ('Lettice Leefe, the Greenest Girl in the School') and Swift ('Sir Boldasbrass'), and for all three papers' associated Annuals. After Girl folded, John continued to draw 'Lettice Leefe' for Princess - accomplishing a 16-year run of weekly episodes.

Foregoing Harrow School's offer of a job as Art Master, John remained Assistant Art Master until 1955, when he became a full-time freelance writer and artist. Although 'Captain Pugwash' had not been a success in Eagle, John Ryan worked on his beloved character, and drew and wrote the first of what was to become a series of Captain Pugwash books. In 1956, after many rejections, Captain Pugwash found a publisher in The Bodley Head. He also sold the idea for an animated series of 'Captain Pugwash' to BBC Television. His animation technique was innovative, using painted backdrops and cut-out, two-dimensional figures with movable limbs and mouths, made from painted card and held together with paperclips. Levers allowed him and his assistants to manoeuvre the figures and their expressions for real-time animation - and live transmission! A pilot production was so successful that it resulted in 1957 in a series of 58 black and white episodes, and for eight years he drew a weekly 'Captain Pugwash' strip for Radio Times. A 'Captain Pugwash' strip also appeared (briefly) in Swift (1958) and Playland (1974), also written and drawn by John. 'Sir Prancelot' (from another TV series) appeared in Playland in 1972. From 1963, for 43 years he drew weekly cartoons for The Catholic Herald, but it is for his children's publications and programmes that he is most fondly remembered.

In 1969 he created a 13-part series called 'Mary, Mungo and Midge' for BBC Television. He followed this with 'The Adventures of Sir Prancelot' (32 episodes), and in 1974 he returned to 'Captain Pugwash' again, producing a new series of 30 colour episodes. In the 1980s 'The Ark Stories' (on ITV) featured John Ryan in his studio to introduce each of his stories of animals from Noah's Ark with a sketch.

John and Priscilla moved from Kensington to Rye, East Sussex, in 1988, and John continued to work until shortly before his death in Rye hospital on 22 July 2009. It was at Rye that John was an Eagle Society guest of honour for our annual gathering in 1993. John allowed us a visit to is home and studio, provided us with a tour of Rye and joined the "Eagle Society Players" for a play reading of 'Harris Tweed'.

The illustration by John Ryan is from the Spring 1993 edition of Eagle Times

Obituaries:

• Steve Holland's Bear Alley (also contains a comprehensive bibliography)
• Links to various newspaper and magazine obituaries
  

Channel 4 newspiece on YouTube:

For other Captain Pugwash clips on YouTube Click Here

For an interactive storybook of Captain Pugwash and the Sea Monster click on the graphic below:

Giorgio Bellavitis (1926 - 2009)

Giorgio Bellavitis  (1926 - 2009) was born and died in Venice, though he spent a number of years in England. Starting out as a comic book artist, but changing career to architecture, his reputation in his later years was for his contribution as an architect to the restoration of Venice.

After being held prisoner together by the Nazis during the Second World War, Bellavitis and his friends Mario Faustinelli and Alberto Ongaro later set themselves up as publishers and gathered more artists and writers to form the Grupo Veneziano (Venetian Group). Their first magazine, called Albo Uragano (White Hurricane), was later renamed Asso di Picche, after its lead strip, which was pencilled by Hugo Pratt and inked by Bellavitis and Faustinelli. After drawing the first episode of ‘Junglemen’, Bellavitis then drew ‘The Adventures of Robin Hood’ under the pseudonym George Summers. After 1948, when Asso di Picche folded, and until 1954, when he moved to England, he worked mainly on Il Vittorioso (The Conqueror). His strips in this period included ‘I Cavalieri del Corvo’, ‘Acqua Cattiva’, ‘Il Palio di Siena’, and ‘Amburgo 1947’. 

In England, he was instrumental in introducing the Italian illustrator Rimaldo D’Ami (Roy Dami, founder of the Damy Agency) to Britain, and was the first of many Italian comic strip artists to be published in Britain via D'Ami's agency.

Bellavitis’ first English strip was ‘Paul English’ for Swift. He then drew ‘Mark, the Youngest Disciple’ to a script by Chad Varah, for Eagle. Bellavitis stood in for Richard Jennings on two complete ‘Storm Nelson’ adventures (which were was later reprinted in Italy as 'Kid Tempesta'), the first of which was set in his place of birth. He also drew for Eagle Annual and Swift Annual, including the illustrations for a text story ‘The Winged Devils - a tale of the Ancient Vikings’ in Swift Annual No 2. He worked for a short time on Express Weekly, drawing ‘Rodney Flood’, and he is known to have done some illustrations for the Sunday Pictorial Children’s Annual. In 1956 he helped out on Eagle’s ‘Jeff Arnold in Riders of the Range’. His work also appeared in Playhour and Treasure. In 1958, however, he returned to Italy to pursue a career in architecture.

For many years, and until his death, Professor Giorgio Bellavitis was actively involved in the conservation and restoration of Venice, advising UNESCO and other bodies. Giorgio Bellavitis' projects in Venice included the garden design and landscaping for Palazzo Venier dei Leoni, the home of the Peggy Guggenheim Collection, and from 1997 to 2005 direction of the restoration of Ca’Foscari. Giorgio Bellavitis wrote and co-authored a number of books and articles, including ‘Venice: a City in the Sea of History’, which prefaces the Heritage Guide to Venice published by the Touring Club of Italy. His death was reported on 21 May 2009 in Venice, the city that inspired him.

A fuller obituary and bibliography can be read on Steve Holland's Bear Alley blog.

Previous posts on eagle-times:

•  Regarding Giorgio Bellavitis
  
•  Eagle Artists - Georgio Bellavitis
  

Photo of Giorgio Bellavitis: Il Gazzettino

Eagle Artists - Giorgio Bellavitis

Giorgio Bellavitis (1926 - ) was born in Venice. As a teenager during World War II, he was a member of the anti-Nazi resistance movement and was imprisoned for several weeks with Mario Faustinelli and Alberto Ongaro. The three friends invented a costumed righter-of-wrongs called ‘L’Asso di Picche’ (‘The Ace of Spades’). After the war they set up a publishing company, gathered a number of artists and writers together to form the Grupo Veneziano (Venetian Group), and launched a magazine called Albo Uragano (White Hurricane), which later became renamed, (after its lead strip) Asso di Picche. The strip was pencilled by Hugo Pratt and inked by Bellavitis and Faustinelli. After the revamp, one of the first new strips was ‘Junglemen’, the first episode of which was drawn by Bellavitis, who then drew ‘The Adventures of Robin Hood’ under the pseudonym George Summers. After Asso di Picche folded in 1948, the majority of Bellavitis’ work until 1954 seems to have been for Il Vittorioso (The Conqueror). His strips included ‘I Cavalieri del Corvo’, ‘Acqua Cattiva’, ‘Il Palio di Siena’, and ‘Amburgo 1947’. Early(?) in this period he also created ‘La Strada Senza Fine’ (‘The Road Without End’), for Corrierre dello Scolaro.

In 1954, Bellavitis moved to England, and some time after, he was instrumental in introducing the Italian illustrator Rimaldo D’Ami (Roy Dami, founder of the Damy Agency) to Britain. He was the therefore first of many Italian comic strip artists to be published in Britain.

Bellavitis’ first strip after arriving in England was ‘Paul English’ for Swift. He then drew ‘Mark, the Youngest Disciple’ to a script by Chad Varah, his finest work for Eagle. Bellavitis stood in for Richard Jennings on two complete ‘Storm Nelson’ adventures, the first of which was set in his place of birth*. He also drew for Eagle Annual and Swift Annual, including the illustrations for a text story ‘The Winged Devils - a tale of the Ancient Vikings’ in Swift Annual No 2. He worked for a short time on Express Weekly, drawing ‘Rodney Flood’, and he is known to have done some illustrations for the Sunday Pictorial Children’s Annual. In 1956 he helped out on Eagle’s ‘Jeff Arnold in Riders of the Range’. His work also appeared in Playhour and Treasure. In 1958, however, he returned to Italy to pursue a career in architecture.

Professor Giorgio Bellavitis is now actively involved in the conservation and restoration of Venice, advising UNESCO and other bodies. Girogio Bellavitis' projects in Venice have included, in the 1980s, the garden design and landscaping for Palazzo Venier dei Leoni, the home of the Peggy Guggenheim Collection, and from 1997 to 2005 direction of the restoration of Ca’Foscari. Giorgio Bellavitis has written and co-authored a number of books and is the author of ‘Venice: a City in the Sea of History’, which prefaces the Heritage Guide to Venice published by the Touring Club of Italy.

The picture above is from 'Mark the Youngest Disciple', Eagle, 12th November, 1954.

* The Eagle strip 'Storm Nelson' was later reprinted in Italy in Giorno dei Ragazzi as 'Kid Tempesta'.

Eagle strips

• ‘Mark the Youngest Disciple’ (Vol 5 N0 46 - Vol 6 No 23)
• ‘Storm Nelson: The Quest of the Golden Queen’ (Vol 6 No 29 - Vol 6 No 46)
• ‘Storm Nelson: The Quest of the Southern Cross’ (Vol 6 No 47 - Vol 7 No 14)
• ‘Riders of the Range : The Hooded Menace’ (half of 1 episode, Vol 7 No 23)
• ‘Riders of the Range: The Wreckers’ (with Brian Lewis) (Vol 7 No 36 - Vol 7 No 44)

Eagle Annual strips

• ‘Storm Nelson in The Mystery of the Purple Patch’ Eagle Annual No 6

Links:

• Previous post on eagle-times: Regarding Giorgio Bellavitis
• Lambiek Comiclopedia entry: Giorgio Bellavitis
  

ET Ref:

• Tiner, Ron. 'Giorgio Bellavitis'. Eagle Times Vol 13 No 1 p16 - 21.

Eagle Artists - Michael Charlton (1923 - 2008)

Michael Alan Charlton was born in Poole, Dorset, and studied at Poole School of Art and Edinburgh College of Art. An illustrator in black and white and colour, his only know contribution to Eagle was the single black and white picture shown here, which he drew to illustrate an Arthur Catherall story called ‘Ten Days to Christmas’ - “a short story of Ojibwa fur trappers in the land of perpetual snow”. It appeared, appropriately enough, on 14^th December, 1951 (in Eagle Vol 2 No 36). He also illustrated ‘Professor Kitto and the Magic Ray’ in another Eagle-associated publication: Swift Annual No 2 (Hulton Press, 1955), for which he drew three black and white pictures. Charlton illustrated dozens of books from 1954 through 2003, including the children's book Wheezy (Bodley Head, 1988), which he also wrote. He lived in Dorset, and died there after a long illness on 23^rd June, 2008.

An obituary and bibliography of Michael Charlton can be read at Steve Holland's Bear Alley, which is where we learned of Michael Charlton's death.

Eagle Artists - Terry Maloney (1917 - 2008)

Francis Joseph Terence Maloney was born in Mortlake, Surrey, on 20th April, 1917, the son of a Fleet Street printer. He attended the Richmond School of Art, and as a student joined the Communist Party. At the age of 20, he volunteered for the International Brigades, fighting for the Republicans in the Spanish Civil War. In August, 1938, he survived a shrapnel wound to the chest at the battle of Ebro, returning to England later that year. During the Second World War he served in the Royal Corps of Signals, after D-Day seeing action in France, Belgium, Holland and Germany. He had married Dorothy Toms in 1943. After the war, in 1946, Maloney worked as a commercial artist, helping to design posters for London Underground and becoming art editor of Spain Today, which was produced to publicise Franco's repression of the Spanish people.

Maloney had a growing interest in astronomy and the possibilities of space travel. After setting up a 10-foot long telescope, with a ten inch mirror, in his garden in Kew, Surrey, he spent many hours observing the night sky. He joined the British Astronomical Association, and subsequently was made a Fellow of the Royal Astronomical Society. In early 1950, Maloney was recruited by Marcus Morris to work on the (yet to be launched) Eagle magazine, and for a short time he joined Frank Hampson's 'Dan Dare' studio in Southport. Later, he drew a number of colour and black and white illustrations for an article on rocketry and space travel for Dan Dare's Space Book (Hulton Press, 1953). He produced a number of book covers for paperback science fiction novels before, from the mid-1950s, concentrating on becoming a writer/illustrator and book editor.

Maloney's first self-written-and-illustrated title was Other Worlds in Space, a children's guide to the planets. Coincidentally it was launched the same month as Sputnik 1, in October, 1957. His other titles included The Sky is Our Window, and A Dictionary of Astronomy. He edited for various publishers before retiring in 1981, when he moved with his wife to West Knighton, near Dorchester, where he died on 16th March, 2008, aged 90.

The illustration above is from the article 'The Life Story of a Rocket' and shows a captured V2 being lifted into position for a test firing at the U.S. Experimental Rocket Station at White Sands, New Mexico. (From Dan Dare's Space Book, Hulton Press, 1953)

Links:

• London Transport Museum - Posters by Terry Maloney
• The Independent (obituary)
• Bear Alley (obituary and bibliography)
• Liverpool Daily Post (obituary)

Walt Howarth (1928 - 2008)

Walt Howarth, who has just died, aged 80, was born on 1st January 1928 in Bolton, Lancashire. His talent for drawing faces was noticed at 4 years of age, and at 13 he was offered a scholarship at Bolton Art School, where he studied for three years. His first professional work was for the cover of Bolton's Salute to the Soldier Week programme in 1946. An avid fan of Bolton Wanderers Football Club, soon Walt was drawing their programme covers and getting five shillings a time for caricatures of the players.

A prolific (if largely unsung) artist, the majority of his work was (via Industrial Art Services) for World Distributors Ltd, whose annuals will be remembered for their distinctive yellow spines. From 1950-1959 he painted six John Wayne Annuals and seventy-seven John Wayne Comic covers, plus for the annuals, illustrations to text stories, endpapers, title/contents pages, and the odd feature or game/quiz page.


In addition, during the 1950s and 1960s, Walt painted covers for many of WDL's Annuals including titles such as: Bronco Lane, Bonanza, Cheyenne, Tenderfoot, Billy the Kid, Rawhide, Maverick, Western Roundup, Cisco Kid, Gunsmoke, Gene Autry, Rawhide, Wells Fargo, Range Rider, Roy Rogers , Wagon Train, TV Favourites, Superman, Batman, Tarzan, Green Hornet, Bewitched and High Chaparral, work which required the skills of a portraitist in capturing the likenesses of the characters seen on television and in film.

Some of his other work (of particular interest to Eagle Society members) included the box art for the 'Merit' Dan Dare Cosmic Ray Gun (produced by J & L Randall in about 1953), and most possibly for other Eagle-related toys of that era. In the 1960s he painted the covers for Dan Dare's Space Annual 1963, and for Eagle Annual 1965.

Of more general interest, he was also responsible for the cover illustrations of the first two Doctor Who Annuals.

An illustrated article, 'Walt Howarth' by Derek Wilson was published in Eagle Times Volume 18 No 3 (Autumn 2005), and gives more details of Walt's career. It can be read at the Gateway site, where it was posted in March, 2006.

Other internet sites reporting the death and and paying tribute to Walt Howarth:

• This is Lancashire
  
• Bear Alley
• Down the Tubes
• Lew Stringer

Eagle Artists - Keith Watson

Keith Watson (1935 – 1994) was born in Ormesbury, Middlesborough. In 1950, at the age of fifteen, he was inspired by seeing Frank Hampson’s ‘Dan Dare’ in Eagle and he became an instant fan. Although he had received no formal art training, in 1957 or early 1958 he submitted what was to be a successful job application to Frank Hampson, a pastiche front page of Eagle showing, in strip form, Dan & Co.’s reaction to the arrival a new artist – himself. Although there was no vacancy, Hampson was suitably impressed, and in 1958 Keith joined the ‘Dan Dare’ studio team as an assistant artist. After Hampson left in 1959, and Frank Bellamy took over as lead artist on ‘Dan Dare’, Keith continued along with the remainder of Hampson’s team but, dissatisfied at the way of working, he too left in 1960 - to draw ‘Captain Condor’ in Lion.

Two years later, he returned to Eagle as the sole artist on ‘Dan Dare’, and continued until early 1967 when Eagle began reprinting old ‘Dan Dare’ strips. After Eagle, Keith drew strips for a number of comics: ‘Sky Shark’ in Topper, ‘The Space Girls’ in Tina and Princess Tina. In 1968 he drew ‘Captain Scarlet and the Mysterons’ in TV21, and the next year, the title strip in Joe 90. In the late 1970s, he took over the ‘Roel Dijkstra’ football strip for a Dutch publisher. In 1989, he revived the “original” ‘Dan Dare’ for Fleetway's “new” Eagle, after which, in the early 1990s, he drew for Thunderbirds: the Comic. His final work, commissioned by Eagle Society member Rod Barzilay, was for a new “old school” ‘Dan Dare’ strip. After producing some designs and the first page, Keith was diagnosed with cancer. The opening page of ‘The Phoenix Mission’ (which appeared, posthumously, in the first issue of Spaceship Away in 2003) was to be the last he drew.

Eagle 'Dan Dare'strips:

• The Ship that Lived* ( Vol 9 Nos 5 - 16)
• The Phantom Fleet* (Vol 9 Nos 17 - 52)
• Safari in Space * (Vol 10 Nos 1 -18)
• Terra Nova* (Vol 10 Nos 19 - 40)
• Trip to Trouble* (Vol 10 No 41 - Vol 11 No 11)
• Operation Earthsaver (Vol 13 Nos 10 - 23)
  
• The Evil One (Vol 13 Nos 24 - 32)
• Operation Fireball (Vol 13 Nos 33 - 42)
• The Web of Fear (Vol 13 Nos 43 - 52)
• Operation Dark Star (Vol 14 Nos 1 - 9)
• Operation Time Trap (Vol 14 Nos 10 - 38)
• The Wandering World (Vol 14 No 39 - Vol 15 No 13)
• The Big City Caper (Vol 15 Nos 14 - 22)
• All Treens Must Die (Vol 15 Nos 23 - 42)
• The Mushroom (Vol 15 No 43 - Vol 16 No 6)
• The Moonsleepers (Vol 16 No 7 - Vol 16 No 29 )
• The Singing Scourge Vol 16 No 30 - Vol 17 No 6)
• Give me the Moon (Vol 17 No 7 - Vol 17 No 26)
• The Menace from Jupiter (Vol 17 No 27 - Vol 18 No 1)

*Assistant on the Dan Dare studio/team

The illustration is a self portrait of Keith sent in by Richard Sheaf, who informs us it is from Strips '80, the handook of the Society of Strip Illustration. It is part of a directory of SSI members and was intended as an introduction for those who attended the SSI conference in November, 1980.

ET Refs:

• Roger Coombes Keith Watson interview (1991). Eagle Times Vol 4 No 3 – Vol 6 No 1 (7 parts)
• Vince, Alan. Keith Watson – the artist and friend (obituary) Eagle Times Vol 7 No 2
• Coombes, Roger. Keith Watson, a tribute (obituary) Eagle Times Vol 7 No 2
• Britton, David. He wants to be a ... Dan Dare Artist (on Keith Watson’s original job application) Eagle Times Vol 16 No 1
• Winders, Steve. Keith Watson’s Dan Dare Eagle Times Vol 20 No 1 – Vol 20 No 3

Eagle Artists - Martin Aitchison

Martin Aitchison (1919 - ) was born in Birmingham. After early education at Ellesmere College in Shropshire, he attended Birmingham School of Art and the Slade School of Art. During World War II he enrolled with Vickers Aircraft at Weybridge, Surrey, as a technical illustrator and afterwards he became a free-lance commercial artist. His first published work was for Hulton Press' Lilliput. This was followed by work for Girl, when he was called upon to fill in for artist Ray Bailey on two pages of 'Kitty Hawk', and to draw 'Flick - and the Vanishing New Girl' for Girl Annual No 1. He became one of Eagle's major non-'Dan Dare' artists. For nine years (1952 - 1961) he produced weekly strip artwork for 'Luck of the Legion', which was scripted by Geoffrey Bond. He also drew for Swift and Swift Annual. When 'Luck' was dropped, Martin drew a further three strips for Eagle, plus one for Eagle Annual, before leaving in 1963 to work for Ladybird Books, becoming one of their principal artists and producing artwork for around 70 titles, until 1990. He is now retired although, from 1998, teamed again with writer Geoffrey Bond, he drew 'Justin Tyme - Ye Hapless Highwayman', which ran for over 5 years in Eagle Times.

The picture shows Martin as an honoured guest of the Eagle Society at Sparsholt, in 1996.

Eagle strips:

• Luck of the Legion (Vol 3 No 5 – Vol 12 No 37)
• Danger Unlimited (Vol 12 No 33 – Vol 13 No 9)
• The Lost World (Vol 13 No 10 – Vol 13 No 29)
  
• Hornblower R. N. (Vol 13 No 28 – Vol 14 No 9)
  

Eagle Annual strips:

• Luck of the Legion Eagle Annual No 3 – No 10 [1961]
  
• Warrrior with Tin Legs Eagle Annual No 11 [1962]

Eagle Times strip:

• Justin Tyme - Ye Hapless Highwayman Eagle Times Vol 11 No 4 (Winter 1998) - Vol 17 No 1 (Spring 2004)

Links:

• Martin Aitchison’s own site
• Wikipedia's biography of Martin Aitchison
• Martin Aitchison Artwork on Nicholas Hill's site
• Martin Aitchison information on Nicholas Hill's other site
  
• Lambiek's artist information on Martin Aitchison

ET Refs:

• Aitchison, Martin. My Story – part 1. Eagle Times Vol 16 No 2 p p 4 – 9.
• Aitchison, Martin. My Story – part 2. Eagle Times Vol 16 No 3 pp 14 – 18.
• Rudling, Bill. Martin Aitchison in conversation. Eagle Times Vol 4 No 3 pp 9 - 12
• Rudling, Bill. Martin Aitchison in conversation. Eagle Times Vol 6 No 4 pp 4 - 5.