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Welcome to the web home of THE EAGLE SOCIETY.

THE EAGLE SOCIETY is dedicated to the memory of EAGLE - Britain's National Picture Strip Weekly - the leading Boy's magazine of the 1950s and 1960s. We publish an A4, quarterly journal - the Eagle Times.

This weblog has been created to provide an additional, more immediate, forum for news and commentary about the society and EAGLE-related issues. Want to know more? See First Post and Eagle - How it began.
Showing posts with label swift. Show all posts
Showing posts with label swift. Show all posts

Wednesday, 26 August 2020

LONGBOW

 A REVIEW OF TWO NEW REPRINT BOOKS FROM BEAR ALLEY by John Culshaw

Steve Holland has published two volumes of reprint strips from Swift weekly through his Bear Alley Books. They feature one of EAGLE's most popular characters from the 1960s. So who's Longbow?? You'll know him better as Blackbow, for to avoid any hint of confusion over ownership of the character who appeared in two different comics now owned by two different companies, he's been renamed for this collection. Blackbow's adventures in Swift  are owned by Look and Learn, but his stories in EAGLE aren't and Steve Holland's got permission for the Swift strips. This isn't the first time that Blackbow's changed his name. Way back in 1953 he was created as Strongbow the Mohawk for Comet weekly, but as the highly informative introduction tells us, this makes the origin story of a boy who falls from a wagon heading west in the 1840s and is raised by the Mohawks, historically and geographically nonsense, because the Mohawks were originally from New York State and long before the 1840s they'd moved to Canada, having backed the British in the War of Independence. When publishers the Mirror Group got their hands on EAGLE and Swift in 1961, they sent in their hatchet men to save money. Comet's old Strongbow strip was picked up for Swift, but became Blackbow the Cheyenne to make it historically credible. The strip was completely redrawn for Swift, but many of the old Strongbow stories were reused at first, before brand new adventures took over. The original stories were by Mike Butterworth and he probably wrote the new ones too. 

The strips from Swift were all in black and white and each instalment was a self contained adventure, most of which ran for three pages. Each volume contains thirty seven Longbow stories and ten half page information features about the Cheyenne and other Native American peoples, also from Swift. They also include biographies of all the twelve artists whose work is featured in the strips. These include Don Lawrence and Jesus Blasco, as well as EAGLE favourites Gerald Haylock, Martin Salvador and Frank Humphris, who would take over the strip when it moved into EAGLE and became a colour serial. The Swift stories were quite different from the later EAGLE adventures in other ways. For a start they were straightforward western stories whereas EAGLE brought in supernatural elements like man eating plants. EAGLE's version also distinguished more clearly between Blackbow and his European American alter ego, Doctor Jim Barnaby, where the character only assumed his Blackbow identity when he was wearing Cheyenne dress. In Swift he speaks as Blackbow in his Jim Barnaby clothes immediately prior to changing. A minor difference, but the EAGLE approach works better. The second volume has an introduction by Steve Winders, which outlines Blackbow's time in EAGLE. 

You'll find some entertaining stories and some impressive black and white art in these books and old EAGLE readers who disliked the supernatural and fantasy elements of the sixties weekly, may well prefer these stories to the later ones. The books are softback and run to 137 and 140 pages, with colour covers by Don Lawrence. These are two good books which deserve to be widely read. You can currently buy both for £29.68 including postage and packing as a special introductory offer, but they're also available separately. Full details from    www.bearalleybooks.blogspot.com    

Monday, 30 June 2008

Eagle Artists - Giorgio Bellavitis

Giorgio Bellavitis (1926 - ) was born in Venice. As a teenager during World War II, he was a member of the anti-Nazi resistance movement and was imprisoned for several weeks with Mario Faustinelli and Alberto Ongaro. The three friends invented a costumed righter-of-wrongs called ‘L’Asso di Picche’ (‘The Ace of Spades’). After the war they set up a publishing company, gathered a number of artists and writers together to form the Grupo Veneziano (Venetian Group), and launched a magazine called Albo Uragano (White Hurricane), which later became renamed, (after its lead strip) Asso di Picche. The strip was pencilled by Hugo Pratt and inked by Bellavitis and Faustinelli. After the revamp, one of the first new strips was ‘Junglemen’, the first episode of which was drawn by Bellavitis, who then drew ‘The Adventures of Robin Hood’ under the pseudonym George Summers. After Asso di Picche folded in 1948, the majority of Bellavitis work until 1954 seems to have been for Il Vittorioso (The Conqueror). His strips included I Cavalieri del Corvo, Acqua Cattiva, Il Palio di Siena, and Amburgo 1947. Early(?) in this period he also created ‘La Strada Senza Fine’ (The Road Without End), for Corrierre dello Scolaro.

In 1954, Bellavitis moved to England, and some time after, he was instrumental in introducing the Italian illustrator Rimaldo D’Ami (Roy Dami, founder of the Damy Agency) to Britain. He was the therefore first of many Italian comic strip artists to be published in Britain.

Bellavitis
first strip after arriving in England was ‘Paul English’ for Swift. He then drew ‘Mark, the Youngest Disciple’ to a script by Chad Varah, his finest work for Eagle. Bellavitis stood in for Richard Jennings on two complete ‘Storm Nelson’ adventures, the first of which was set in his place of birth*. He also drew for Eagle Annual and Swift Annual, including the illustrations for a text story The Winged Devils - a tale of the Ancient Vikings in Swift Annual No 2. He worked for a short time on Express Weekly, drawing ‘Rodney Flood’, and he is known to have done some illustrations for the Sunday Pictorial Children’s Annual. In 1956 he helped out on Eagle’s ‘Jeff Arnold in Riders of the Range’. His work also appeared in Playhour and Treasure. In 1958, however, he returned to Italy to pursue a career in architecture.

Professor Giorgio Bellavitis is now actively involved in the conservation and restoration of Venice, advising UNESCO and other bodies. Girogio Bellavitis' projects in Venice have included, in the 1980s, the garden design and landscaping for Palazzo Venier dei Leoni, the home of the Peggy Guggenheim Collection, and from 1997 to 2005 direction of the restoration of Ca’Foscari. Giorgio Bellavitis has written and co-authored a number of books and is the author of ‘Venice: a City in the Sea of History’, which prefaces the Heritage Guide to Venice published by the Touring Club of Italy.

The picture above is from 'Mark the Youngest Disciple', Eagle, 12th November, 1954.

* The Eagle strip 'Storm Nelson' was later reprinted in Italy in Giorno dei Ragazzi as 'Kid Tempesta'.

Eagle strips
  • ‘Mark the Youngest Disciple’ (Vol 5 N0 46 - Vol 6 No 23)
  • ‘Storm Nelson: The Quest of the Golden Queen’ (Vol 6 No 29 - Vol 6 No 46)
  • ‘Storm Nelson: The Quest of the Southern Cross’ (Vol 6 No 47 - Vol 7 No 14)
  • ‘Riders of the Range : The Hooded Menace’ (half of 1 episode, Vol 7 No 23)
  • ‘Riders of the Range: The Wreckers’ (with Brian Lewis) (Vol 7 No 36 - Vol 7 No 44)
Eagle Annual strips
  • ‘Storm Nelson in The Mystery of the Purple Patch’ Eagle Annual No 6
Links:
ET Ref:
  • Tiner, Ron. 'Giorgio Bellavitis'. Eagle Times Vol 13 No 1 p16 - 21.

Tuesday, 8 January 2008

Eagle Artists - Martin Aitchison

Martin Aitchison (1919 - ) was born in Birmingham. After early education at Ellesmere College in Shropshire, he attended Birmingham School of Art and the Slade School of Art. During World War II he enrolled with Vickers Aircraft at Weybridge, Surrey, as a technical illustrator and afterwards he became a free-lance commercial artist. His first published work was for Hulton Press' Lilliput. This was followed by work for Girl, when he was called upon to fill in for artist Ray Bailey on two pages of 'Kitty Hawk', and to draw 'Flick - and the Vanishing New Girl' for Girl Annual No 1. He became one of Eagle's major non-'Dan Dare' artists. For nine years (1952 - 1961) he produced weekly strip artwork for 'Luck of the Legion', which was scripted by Geoffrey Bond. He also drew for Swift and Swift Annual. When 'Luck' was dropped, Martin drew a further three strips for Eagle, plus one for Eagle Annual, before leaving in 1963 to work for Ladybird Books, becoming one of their principal artists and producing artwork for around 70 titles, until 1990. He is now retired although, from 1998, teamed again with writer Geoffrey Bond, he drew 'Justin Tyme - Ye Hapless Highwayman', which ran for over 5 years in Eagle Times.

The picture shows Martin as an honoured guest of the Eagle Society at Sparsholt, in 1996.

Eagle strips:
  • Luck of the Legion (Vol 3 No 5 – Vol 12 No 37)
  • Danger Unlimited (Vol 12 No 33 – Vol 13 No 9)
  • The Lost World (Vol 13 No 10 – Vol 13 No 29)
  • Hornblower R. N. (Vol 13 No 28 – Vol 14 No 9)
Eagle Annual strips:
  • Luck of the Legion Eagle Annual No 3 – No 10 [1961]
  • Warrrior with Tin Legs Eagle Annual No 11 [1962]
Eagle Times strip:
  • Justin Tyme - Ye Hapless Highwayman Eagle Times Vol 11 No 4 (Winter 1998) - Vol 17 No 1 (Spring 2004)
Links:

ET Refs:

  • Aitchison, Martin. My Story – part 1. Eagle Times Vol 16 No 2 p p 4 – 9.
  • Aitchison, Martin. My Story – part 2. Eagle Times Vol 16 No 3 pp 14 – 18.
  • Rudling, Bill. Martin Aitchison in conversation. Eagle Times Vol 4 No 3 pp 9 - 12
  • Rudling, Bill. Martin Aitchison in conversation. Eagle Times Vol 6 No 4 pp 4 - 5.