Eagle writers - J.H.G. Freeman (1903 - 1972) aka Gordon Grinstead

John Henry Gordon ("Don") Freeman was born in Croydon, Surrey, and attended St. Joseph’s College, Streatham. The youngest of three children, all of whom developed an early interest in writing stories and compiling "magazines" from their efforts, he was the only one to actually go into publishing. When he did, the majority of his lifetime output was as a staff writer for the Daily Mirror, which he joined in 1918 at around the age of 15.

Initially taken on by the Daily Mirror as an office boy, his first published work in the Mirror is believed to have appeared on the children’s page in January 1922, although he also worked on the sports page around that time. He became assistant to Bertram. J. Lamb, who as "Uncle Dick" was the editor of the Mirror’s children’s pages, and he provided story lines and many of the rhymed adventures of ‘Pip, Squeak and Wilfred’ in the Mirror and in the cartoon characters’ associated annuals published between 1923 and 1940. Following, or shortly before, Lamb’s death in 1938, he took over as "Uncle Dick". His contributions included stories credited to himself (as J.H.G. Freeman), and other pieces credited to "Uncle Dick" or other pseudonyms. His poems were published daily for at least five, possibly ten, years in the Daily Mirror. In 1930 a collection of his verses, The Rhymes of Merry Andrew was published. Also in the early 1930s a school story by J.H.G. Freeman, entitled Plain Smith IV: the Story of a Fortune was published as part of the Nelson "Red Star" series, reprinted later as part of the same publisher’s "Captain" series.

Gradually the Daily Mirror’s cartoon page became more adult. In 1936, "Don" Freeman (as he was known) adapted Edgar Wallace’s Terror Keep into a comic strip (drawn by Jack Monk). When that strip was "pulled" for copyright reasons he developed a new character, ‘Buck Ryan’, again with Monk as artist. The strip ran from 1937 to 1962. The number of strips he was scripting increased. From 1938 he began to write ‘Jane’ (“the strip that won the war”) for Jane’s creator, the artist Norman Pett, and when Michael Hubbard took over the drawing, Don continued scripting ‘Jane’ until 1953. In 1943 Don also took on ‘Belinda Blue Eyes’ (created by Steve Dowling), recasting it as simply ‘Belinda’ with its new artist Tony Royle. ‘Belinda’ folded in 1959. In the meantime, from 1944 until 1952 he also wrote ‘Garth’, which since its debut the year before had been written and drawn entirely by its creator Steve Dowling, who continued to draw it. Don was responsible for developing many of the characters and plot devices in Garth, including Garth's origin story.

While Don "wrote" many strips, his technique involved more than that might imply, and his contributions were more collaborative. Rather than typing out his scripts, his technique was to "rough" out the story, sketching it in pencil as he visualised it, for the artist to use as a guide.

In 1941 he had married and in 1945 the family, which by then included a son and daughter, moved to East Grinstead in Sussex, where a second son was born in 1946. Shortly after moving to East Grinstead, Don began using the pen-name "Gordon Grinstead", possibly so that he could take on non-Mirror work. Under his new pen-name, he produced a novel, Angela Darling, which was published by Rylee in 1949. Between 1959 and 1963 he wrote seven children’s educational books for Cassell & Co Ltd under their “for Silver Circle readers” banner. His other freelance work included that for Hulton Press: firstly ‘Sally of the South Seas’ which appeared in Girl and then ‘Knights of the Road’ for Eagle.

‘Knights of the Road’, the adventures of “Sir” Ted Knight, a lorry driver and his younger brother Frank, who were partners in a road haulage business (“Go Anywhere – Carry Anything” was their motto), appeared weekly in Eagle for two years from 19th March 1960 until 7th March 1962, drawn throughout by artist Gerald Haylock. It was no coincidence that the character “Lofty” in the ‘Knights of the Road’ story ‘The Grange Street Gang’ looked remarkably like the younger of Don Freeman’s sons. 'Knights of the Road’ also made a couple of appearances in Eagle Annual, once as a text story, and then in comic strip form.

Don was well read, and largely self-educated. All his stories drew on history and geography, which he researched thoroughly, often taking his family on holidays to research the places he wrote about.

In the early 1960s Don moved with his family to Bexhill on Sea. He continued his historical research joining associations in pursuit of his interests, but gradually he wrote less, though he continued with some editing work. It had been his ambition to write a Great Novel, but this remained unfulfilled when he died at Bexhill on 8th July, 1972.

Eagle Strips (writer): 'Knights of the Road'

• First story (untitled) (Vol 11 No 12 – Vol 11 No 27)
• 'The Hoodoo Run' (Vol 11 No 28 – Vol 11 No 47)
• 'The Grange Street Gang' (Vol 11 No 48 – Vol 12 No 14)
• 'Pilgrimage of Peril' (Vol 12 No 15 – Vol 12 No 32)
• 'Carnival of Death' (Vol 12 No 33 – Vol 12 No 51)
• 'Dutch Courage' (Vol 12 No 52 – Vol 13 No 9)

Eagle Annual (writer):

• 'Snowbound! But the Knights of the Road get through' (text story) Eagle Annual No 11, 1962
• 'Knights of the Road in ‘Treat her Rough!’' (strip story) Eagle Annual No 12, 1963

Note: The text story in Eagle Annual No 11 is credited to “George Grinstead”. The strip in Eagle Annual No 12 is uncredited. Illustrations are by Gerald Haylock.

Links:

• Pip Squeak and Wilfred Wikipedia
• Jane Wikipedia
• Jane Toonpedia
• Jane Bear Alley
• Belinda Wikipedia
• Garth Wikipedia

ET Refs:

• Gould, David. Eagle Scriptwriters No 4: J. H. G. Freeman (Gordon Grinstead) Eagle Times Vol 2 No 2 pp 16 - 18.
• Sheaf, Richard. A Weekend at Ely: The Society’s 15th Annual Dinner Eagle Times Vol 14 No 2, pp 32 – 35.
• Gittens, John Mortlock Biography of John Henry Gordon Freeman - dictated to Tom Rawlinson. Eagle Times Vol 15 No 3 pp 2 - 4.
• Gould, David. Recollections of J.H.G. Freeman (aka Gordon Grinstead) - as told by his sons Richard and Nick in April 2002. Eagle Times Vol 15 No 3, pp 5 – 9.

The Eagle Society Weekend and Annual Dinner, 2009

The Guy Chester Centre

Muswell Hill

24th - 26th April 2009

Our Social Secretary, Nigel McMurray, has again asked me to post, for the benefit of Members, the highlights for the Eagle Society Weekend, which this year will be held at the Guy Chester Centre, Muswell Hill, London.The package will include 2-night’s accommodation and most meals, including the Society’s Annual Dinner, plus two days of activities including talks and tours, beginning in the late afternoon of Friday, 24th April and concluding after lunch on Sunday, 26th April. The centre, which is a Methodist Retreat set in 10 acres of gardens and woodlands, has a car park, en-suite rooms and disabled facilities. Highlights of the weekend will include:

• The Eagle Society’s Annual Dinner at the Guy Chester Centre
• A visit to the RAF Museum at Hendon
• A History of Muswell Hill presented by a local historian
• Lunch at the Spaniards Inn (with its claimed association with Dick Turpin)
• Special Tour of Highgate Cemetery
• Fights in Eagle - a themed talk from by Eric Fernie
• “He wants to be ... a cab driver”
• Nostalgia isn't what it used to be - a look back at previous Eagle Weekends
• Treasure Island with John Worsley, Millar Watt and Dudley Watkins - a presentation and talk by John Swan
• Speedway and Eagle - Terry Stone, President of the World Speedway Riders Association, addresses the Eagle Society. And he's bringing a 1928 speedway machine!
• Sunday Service at Muswell Hill Methodist Church

For Members of the Eagle Society, the cost for the weekend, which includes two nights accommodation, is £110 sterling per person for a shared room, with an extra supplement of £20 per person for single rooms (subject to availability). Non-members wishing to take part should enclose in addition the appropriate (UK or Overseas) Membership Fee (separate cheque, please) with their application.

If you would like more details, or to confirm details and/or availability of places, please contact Nigel by e-mail . Or to make a definite booking would Members please write, enclosing payment (in £ sterling, please, cheques made payable to the Eagle Society) to:

Adrian Perkins
19, Wolsey Way,
Cherry Hinton,
Cambridge,
CB1 3JQ
United Kingdom

The illustration is the opening frame of 'Black Bess', from the series 'Famous Horse Stories', drawn by Raymond Sheppard. It appeared in Eagle Vol 5 No 40 (1st October, 1954).

Eagle Times Vol 21 No 4

Winter 2008 contents

• Memories of Christmas Past - seasonal cards and drawings by some of the best
  
• A Kennedy Christmas - some of Ian Kennedy's Christmas-themed comics and annual covers
• The Career of Ian Kennedy - part 2, from the eighties to the new millenium
• More of EAGLE's 2nd issue dummy, including Norman Thelwell's 'Pop Milligan' and Frank Hampson's 'The Great Adventurer' - with Joan Porter's recollections of the Bakehouse Studio in the 1950s
• Frank Hampson at the Festival - a contemporary note written by Frank Hampson on the Angouleme Comics Festival, 1978
• PC49 - The Case of the Galloping Ghost
• An account of the Chad Varah Memorial Service at St Paul's Cathedral, held on 12th November, 2008
  
• "I was there" - the launch of Denis Gifford's Ally Sloper Magazine in 1976
• Who's who No. 50
• The Eagle Annual of the Cutaways - book review
• Heros the Spartan - part 1, beginning a review of EAGLE's popular 1960s sword and sorcery strip
  
• Tony Weare - part 2, concluding the life of a favourite artist
  
• Books for Christmas - a seasonal review
• EAGLE on the web
  
• Pop Music in EAGLE Times - 1963

This issue's cover shows some Memories of Christmas Past - cards by Peter Jackson, Tony Weare and Keith Watson - courtesy of Alan Vince.

Dan Dare helps Science Museum to Tourism Gold

The winners of the Visit London Awards 2008 were presented at the Royal Albert Hall on 27th November. The Science Museum, which among its many attractions is currently exhibiting 'Dan Dare and the Birth of Hi-Tech Britain', won 'Gold' as the Visitor Attraction of the Year. The award recognises the Science Museum's appeal to adults and children, with its world-class collections, exhibitions and events.

The 'Dan Dare and the Birth of Hi-Tech Britain' exhibition has certainly given the museum a boost. Not only has it provided an excellent exhibition (see the review at our earlier post) but it has brought the museum additional publicity through press exposure. For example, apart from its coverage when it launched back in April, 2008, The Times has since chosen to list the exhibition among its Top Five Museums on at least five occasions.

David Britton has provided a quote from John Liffen, who is a co-curator of the exhibition with Professor Andrew Nahun. The following came in response to David's question on the how the exhibition was going:

As you know, we had a good press reaction and an independent study thought that the value to the Museum of the exposure was high. I quote from Andrew Nahum: ‘It was done by an able PR professional and it rates value of every mention according to size of the article and each paper or magazine's advertising rate. There is also an industry convention multiplier reflecting the fact that editorial material is far more influential than paid for advertising and “can't be bought”. According to these calculations, the Science Museum would have had to spend almost £700k to achieve the same presence in the media with “paid for” marketing. Of course, this publicity contributes to public perceptions of the whole Museum and not just to the Dare show.’ “Aside from that, the exhibition was well-received internally (which matters a lot!) and the visitors seem to like it. I haven’t yet seen a qualitative visitor survey, but I hope we shall have done something on those lines. People are stimulated to write in with notes of appreciation about the whole exhibition, but often they focus in on just one item which has particularly caught their attention ... I haven’t heard of any adverse comments, and perhaps that’s a good test, too”

The Exhibition runs until October 2009, so there is still plenty of time to see it, if you haven't already.

The picture (from the Science Museum's Dan Dare Exhibition press pack) shows one of the murals drawn for the Museum in the 1970s by Frank Hampson, Dan Dare's creator.
Dan Dare is © The Dan Dare Corporation Ltd.

Footnote: Those interested in memorabilia might like to note that the Science Museum now has sets of 'Dan Dare Exhibition' tie-in souvenir postcards and notepads, 'Dan Dare' (and Mekon) T-shirts (small and medium only, unfortunately!) and badges, and some very attractive 'Dan Dare' spaceship LED keyrings.

The Eagle Annual of the Cutaways (review)

The latest in the series Eagle Annual of the… has now been published by Orion Books.

The Eagle Annual of the Cutaways takes the same look and format as last year’s Eagle Annual - The best of the 1950s comic, with an identical page-count (176 pages), but is priced at £14.99 (£2 more than the earlier book). Rather than the dark green spine with yellow lettering previously used, though, this book has a dark blue spine with cream lettering. Both books have a "distressed" look and feel. The Editor is again Daniel Tatarsky, and the book has a Preface by Colin Frewin, Chief Executive of the Dan Dare Corporation Limited, and an Introduction by Jonathan Glancey, Architecture Critic, the Guardian.

The Eagle Annual of the Cutaways collects together, in (what seems to this reader's mind) a less than systematic manner, around 142 of the 946 cutaway drawings that appeared in Eagle throughout its life from 1950 until the penultimate issue in 1969. For anyone who fondly remembers Eagle and its cutaways, but who doesn’t still have their collection, this will be a “must buy”. But the market for this book is clearly “nostalgia” rather than serious appreciation or study. This book will sell, and deserves to, but it will also disappoint the more serious collector or student.

Comparisons are inevitable with Denis Gifford’s earlier collection, The Eagle Book of Cutaways (Webb & Bower, 1988). While covering less material and restricting his book (with one notable exception*) to the work of Leslie Ashwell Wood, rather than the full range of Eagle cutaway artists, Gifford treated the material with more respect than is evident here. In Denis' book, the page layout and colour reproduction were excellent, there was no cropping of the illustrations – and the pages are clean! Here, there is better coverage of the work of the many artists who produced cutaways for Eagle, but sometimes their illustrations are cropped - to the extent that occasionally explanatory text is partially lost, or the artists’ signatures are partially, and in some cases completely, lost. As an example Laurence Dunn’s ‘The Dome of Discovery’, from Eagle, 4^th May, 1951 (which incidentally is reproduced less cropped in the Eagle Annual - Best of the 1950s comic) is cropped top and right, in the process losing some of the illustration and Laurence Dunn’s signature. In addition nearly all the pages carry that artificial "distressed" look which was a problem for many (including me!) when we saw Orion Books’ earlier offering. In my opinion, putting artificial "grime" on the pages detracts from the content and shows a lack of respect for the original artists, especially when it strays onto the artwork. I don't think these aspects sit easily with this dedication, quoted here from the Preface:

"This book is dedicated to all the highly talented artists who created these wonderful cutaways."

There is much to commend this book. Eagle Society member Steve Winders has already written an excellent review, posted at Steve Holland's Bear Alley blog. Any more detailed comments I might make would inevitably repeat much of what he has said there, so I will leave my comments to those above. There is also a review by Jeremy Briggs, well worth reading, at the Down the Tubes blog.

Further related links:

• eagle-times initial post (May 2008) on the Eagle Annual of the Cutaways
• more from eagle-times on Eagle's cutaway drawings with a list of artists
  
• Jeremy Briggs follow-up post to his review at Down the Tubes: Eagle cutaway art.

* The cutaway of Dan Dare's spaceship Anastasia, published in Eagle 7th February,1958, was not by Ashwell Wood, although Denis Gifford included it in his book. By the way it does not appear in the Eagle Annual of the Cutaway.

Eagle Times Vol 21 No3

Autumn 2008 contents

• The Career of Ian Kennedy - part 1, the 1950s to the 1970s
• More of the EAGLE's second issue dummy (including 'Rob Conway' in colour!)
  
• The Final Winner? - what happened to the EAGLE 'Sportsman of the Year' trophy
• Frank Hampson at NESCOT (1972 to 1977) - another 'I was there' article
• Tony Weare, artist for all seasons - who turned down an offer to draw 'Dan Dare'!
• Another 'Anastasia' - how a classic car artist (Jack Lewis) came to create a tribute to Bruce Cornwell
  
• Marcus Morris and the 1953 Coronation recording
• Dan Dare, the Audio Book: Voyage to Venus - part 1 (a review)
• The magic of Pelikan Inks
  
• EAGLE on the web
• PC49: The Case of the Pink Panic - part 3 (conclusion)
• Nether Wallop - in Surrey? - a church that might have been the model for a scene in the first 'Dan Dare' story
• Dan Dare - the Virgin Version - a review
  
• Crockett & Krispies - on Ron Embleton's 1956 'Heros of the West' series for Kellogg's
• Snakes Alive! - artist Geoffrey ('Luck of the Legion') Bond's fascination with snakes
  
• Looks familiar! - How 1959 'Dan Dare' artwork provided the reference for newspaper illustrations ten years later
  
• Pop Music in EAGLE times - 1962

The 'Dan Dare' illustration on the front cover this issue of Eagle Times is by Ian Kennedy
and appeared in the ('new series') Eagle, 8th January, 1983.

Eagle Writers - Peter Ling (1926 - 2006)

Peter (George Derek) Ling was born on May 7th 1926 at Thornton Heath, near Croydon, Surrey. For education, he attended the Winterbourne Elementary School, followed by the Whitgift School at Haling Park, South Croydon. He soon developed a passion for English composition, and at the age of 14 he had an article published in Good Housekeeping, the first step in a distinguished and varied writing career.

“Called up” as a Bevin Boy during the Second World War, he went to work in a Derbyshire coal mine but after three months, due to ill-health, he was transferred to the Army Pay Corps. After the war he was diagnosed with tuberculosis, and spent about 2½ years in a British Legion Sanatorium. His first novel, Voices Offstage, was published in 1947. Deciding to try his luck as a gag-writer, he sent in some sample scripts to various BBC radio comedians, with the result that Jon Pertwee turned up in person to encourage him to write material for his radio show, Waterlogged Spa. In 1950, Peter began to write comedy material for television. A children’s magazine programme called Whirligig was broadcast every other Saturday, and included a serial, celebrity guests, with comedy links provided by Humphrey Lestocq and ‘Mr Turnip’. Peter wrote all their material.

In 1952, when introduced (by Goons creator, Jimmy Grafton) to Eagle Editor’s assistant Ellen Vincent, Peter jumped at the chance to write a schoolboy serial for Eagle. The first ‘Three J’s’ story, set in Northbrook School, a setting broadly based on Whitgift School, appeared in 1953, with 32 text serials published over the next six years, wonderfully spot-illustrated by Peter Kay. In addition to writing the ‘Three J’s’ stories in Eagle, Peter Ling also wrote ‘Three Js’ stories in five Eagle Annuals, and an Eagle novel: The Three J’s and the Pride of Northbrook. In 1958 he adapted the Three J's for television. Trouble at Northbrook consisted of five 5 fortnightly episodes and was followed by another 6-part adventure called Northbrook Holiday. Unfortunately no recordings of the serials are known to exist. In 1954 Peter had married Sheilah Potts, an actress and writer who had appeared in Whirligig, and who used the professional name Sheilah Ward. They collaborated on some serials for Girl: 'Two Pairs of Skates' (1956-57) and 'Penny Starr' (1957), plus a Girl novel: Angela has Wings (1960).

He also turned his hand to songwriting and one song, Why Not Now performed by Matt Monro, made it into the charts in 1961. That same year, Peter helped Hazel Adair to develop Compact, a television soap opera set in the offices of a women’s magazine. They co-wrote the series, which appeared on BBC twice-weekly from the beginning of 1962 until the Summer of 1965. They also wrote the Compact Annual which was published in 1963 “by arrangement with the BBC”. Their professional partnership continued when, in 1964, they co-created Crossroads, another soap opera, this one set in a motel. The highly popular Crossroads ran for 24 years (despite its reputation for “wobbly sets”!), and a total of around 4,500 programmes were broadcast before its final show in 1988. Initially the series was shown only on Central and Southern ITV but it was networked nationally from 1972. Although Hazel Adair left Crossroads after the first year, Peter remained as a writer until 1987, when a new producer decided he wanted to write his own stories.

Among Peter Ling’s many writing credits for television are episodes of Dixon of Dock Green, Sexton Blake, No Hiding Place, The Avengers and Doctor Who. His contribution to Doctor Who was the serial ‘The Mind Robber’ (1968, starring Patrick Troughton) for which he also later wrote the Target novelization (1986). He also wrote many radio dramas, including adaptations of Sherlock Holmes stories, the Arnold Bennett story Imperial Palace, and John Dickson Carr’s Doctor Gideon Fell detective stories, and (in 1969) he originated the BBC radio soap opera Waggoners’ Walk, which replaced Mrs Dale's Diary, and ran for 11 years, until 1980. In the 1980s and into the mid-1990s, he wrote novels under his own name, including the 'Crown House' and 'Watermen' trilogies, plus Halfway to Heaven and Happy Tomorrow. He also wrote a number of "bodice ripper" romances under the pseudonym “Petra Lee”.

In his later years Peter produced and directed plays for his local theatre, The Stables, in Hastings, East Sussex. His wife Sheilah, who latterly published as Sheilah Ward Ling, died in 1997. They had four children.

The Eagle Society was pleased when Peter agreed to be interviewed in 1998, and that Peter consequently agreed to come along as an invited guest for the Eagle Weekend at Pinner in 1999. In his later years Peter fought bravely against Alzheimer's disease. He died on September 14th 2006.

Eagle stories (writer):

• 'The Three J's' serials - Eagle Vol 3 No 39 -Vol 10 No 16.
  

Eagle Annual stories (writer):

• 'The Three J's' - Eagle Annual Nos 5, 6, 7, 8 and 9
• 'Hawkeye without his glasses' - Eagle Annual No 10 (1961)
  

Eagle novel:

• The Three J's and the Pride of Northbrook (Hulton Press, 1957)
  

Links:

• Peter Ling's obituary at The Times Online
  
• Wikepedia entry on Peter Ling
  
• Bear Alley obituary
• An interview with Peter Ling at the Crossroads Appreciation Society
  

ET Refs:

• Gould, David. Peter Ling. Eagle Times Vol 12 No 1, pp 2 - 7.
  
• Gould, David. Peter Ling (1926 - 2006) Eagle Times Vol 19 No 4, p 2.

The picture shows Peter Ling signing autographs at the Eagle Weekend in 1999.